Designed for Mattiazi, the Osso chair by Ronan & Erwan Bouroullec will make it’s official debut in Milan next month. The chair is part of a larger series, which explores natural materials and new high tech solar powered digital equipment. The chair is made up of four parts, each exactly the same.

More images of Osso after the jump.

Studio Dunn’s “Rhode Island” collection includes the dynamic Barrington Chair. Combining traditional and contemporary manufacturing techniques, the chair ensures good posture and highlights the raw beauty of hardwood grain. Studio Dunn produces the chair in cherry, maple, or walnut.

More images follow.

This surprisingly sleek chaise by Thos. Moser was designed in 2000, a collaborative project between Tom and David Moser. The duo drew inspiration from mid-century European architecture but add a warm, New England feel by employing cherry wood rather than metal piping. The chair reclines fully, with a fluid pivot influenced by Italian aluminum lawn chairs.

More looks after the jump.

Charming sculptural design by Victor Aleman. The Loopita is designed for both indoor and outdoor use. The type of chair with undeniable appeal. Produced by Kerozene.

Pool’s Remember that You Will Die chair is a (hate to say this, really) refreshing take on the ubiquitous plastic outdoor chair. The basic form is there, clear as day, and then the dark twist just punches it up.

The piece is part of an upcoming exhibition celebrating new French design, entitled New Wave, The New French Domestic Landscape. Opening on April 12, 2011, and running just five days, the Cedric Morissett curated show is hosted in Milan by the French Cultural Center.

Thanks to Micheal La MJC.

Unveiled at Stockholm Furniture Fair, Chris Martin designed the Crown for Swedish firm Massproductions. The lines are intriguing, with the back perched atop the arms. Stacking, as it were, the chair’s elements gives a feeling of fragility, but also creates a great interplay between the form and the negative space produced. Upholstery allows for great flexibility in color too. (via Dezeen).

More looks at the Crown after the jump.

The Appalachian Dining chair, from the quirky Rich Brilliant Willing, marries painted steel and wood in a variety of configurations. One that speaks most vividly is with cotton webbed seat, adding a third color and texture to the mix. A caned seat option is also available, but doesn’t generate the same depth of contrast. The steel can be, as seen above, both muted and vibrant, also adding to the rang of possibility.

Available from Rich Brilliant Willing – three guys, Theo Richardson, Charles Brill Alexander Williams, who understood the perfect way to play off their respective names.

Elegant chair, in shape. Less so in upholstery.

Of course, that is just a matter of personal taste. The French manufactures, Ak-lh, of this particular Fauteuil (defined as an upholstered armchair with open sides), will likely hope their sense of fun is met with like hearts. (via Shoes Up).

I’m regularly drawn to furniture that employs traditional and cutting edge technologies, and the NEST chair is no exception. Here we find traditional bent wood given dynamic life through the use of a CNC machine. The twist to the base does it for me, designer Markus Johansson sells the natural feel of the piece – calling it a place in the home to curl up in.  (via Contemporist).

More looks at the NEST chair after the jump.

Emma Selzer’s “Plus Egg Chair” is a magnificent piece of technology. Made of 110 pieces of laser cut plywood, the chairs form private seating environments within public spaces. Selzer designed the “Plus Egg Chair” for a housing project in South Yarra, Australia. The application is easy to imagine in a number of places… I’m particularly fond of furniture that delineates space and allows the user to find a little peace. (via Frame).

More looks at the “Plus Egg Chair” follow.